FAME Review: Wreckless Eric & Amy Rigby - A Working Museum
Share/Save/Bookmark
Wreckless Eric & Amy Rigby - A Working Museum

A Working Museum

Wreckless Eric & Amy Rigby

Southern Domestic - SD 005

Available from Amy Rigby's web site.

A review written for the Folk & Acoustic Music Exchange
by Mark S. Tucker
(progdawg@hotmail.com).

First off, one can't help but note at times a number of affinities in Wreckless Eric, Amy Rigby, and A Working Museum over to Mick Taylor & Carla Olsson, especially as announced by the rough and tumble first cut (and elsewhere), but that's quickly replaced as far more psychedelic elements barge in and start making Museum the kind of thing Steve Hillage or Dave Stewart (the Egg guy who worked with Barbara Gaskin, not the Eurhythmics cat) might've produced—but, no, the entire gig's purely Eric and Amy, with some drum tracks by Chris Butler (The Waitresses). They play and sing everything and recorded the disc in the confines of their own studio (in reel to reel analogue no less!), which pretty much accounts for why it came out at all. Had Eric attempted this at Stiff, a sometimes inspired but oft funky-ass label from the git-go, it'd still be languishing.

There are more than a few nods to Sergeant Pepper's and that LP's era running all through Museum as well as tips of the hat to the Kinks (Arthur, etc.) and others, but the progressive nature of the CD may well surprise those more familiar with Eric and Amy's respective solo works (Genovese Bag, though, harkens back well to her foundations, folky and effervescent—and the titular reference, by the way, is to high couture, not to the grisly and shocking Kitty Genovese incident). The disc, however, all fits quite well with the evolution of the alt/punk/Goth epoch and its ongoing spawn, a mode presently hybridizing like mad, resulting in a lot of intriguing work and more than a few indications of things to come.

There's a simultaneous feel of comfortable looseness and broader thought processes in Museum, of passing beyond formulaic strictures while observing aesthetic disciplines of a different sort, a lysergic revel in tones and phases for their own sakes. If this is the pair's direction, then huzzah!, but even if it isn't, thank the gods they're idling in such weirdly Edenic pastures for a while. It brings the 70s through the back door into a period that's formless and gratifyingly so. In fact, Gilli Smyth, David Allen, and some other of the Gongers could take a lesson or two here.

Track List:

  • A Darker Shade of Brown
  • Rebel Girl Rebel Girl
  • Sombreros in the Airport
  • The Doubt
  • Days ofJack and Jill
  • Genovese Bag
  • 1983
  • Valley Liquors
  • Zero to Minus One
  • Tropical Fish
  • Do You Remember That?
All songs written individually or as a pair by Eric Goulden & Amy Rigby
(promo copy, so I can't tell what's what).

Edited by: David N. Pyles
(dnpyles@acousticmusic.com)

Copyright 2012, Peterborough Folk Music Society.
This review may be reprinted with prior permission and attribution.
 
Fame LogoReturn to FAME Reviews

a line

Return to acousticmusic.com Home Page

a line

Website design by David N. Pyles
DNPyles@acousticmusic.com
acousticmusic.com