FAME Review: Melvin Taylor - Beyond the Burning Guitar
Share/Save/Bookmark
Melvin Taylor - Beyond the Burning Guitar

Beyond the Burning Guitar

Melvin Taylor

Available from iTunes.

A review written for the Folk & Acoustic Music Exchange
by Mark S. Tucker
(progdawg@hotmail.com).

This isn't just a 2-CD set of some unbelievable guitar work from a long-esteemed player of truly formidable skill but rather a treasury that proves beyond doubt that Melvin Taylor needs to be placed within the museum of the guitar greats: Wes Montgomery, George Benson, Chet Atkins, Frank Zappa, Earl Klugh, Jim Hall, Leo Kottke, Robert Fripp, Grant Green, Pat Metheny…all of 'em, regardless of style and genre. And he not only plays all the many layers of various guitars here but bass as well in a nominally foursome format. Quite a few overdubs crop up, all of which will blow you away, but the other musicians are Bernell Anderson on keyboards and Señor Jefe on drums (a pseudonym?, means 'Mr. Chief' in English……and, hmmmm……y'know, at times, like in The Hook Up, I very strongly suspect a drum machine—either that or El Jefe's exceedingly precise).

The initial cut alone, Dueling Guitars of Rio Terra, is daunting. Taylor at first achieves a clipped DiMeola-esque attack that makes his axe seem to be a cross between guitar and banjo, then, after a number of very subtle declensions and abstractions, comes off in Sonny Sharrockian fashion, crowding notes up for offbeat contrasts…within a basically flamenco side trip evolving beneath the cut's speedy but modern trad atmosphere within shifting structures. From there, no territory is safe, and Taylor tears into them all sooner or later. In prime, though, this is Blue Note and CTI taken into the stratosphere, to jazz what Satriani and Vai are to fusion riffrock.

Approach Beyond the Burning Guitar from any angle you want, you won't be disappointed. It's a guitarist's guitar album and a sophisticated listener's dream, non-stop brilliance and inhumanly executed chops, whether in the ultra-clean Earl Klugh idiom or finger-mangling chopsfest rock mode. Be sure to put a nice soft cushion on the floor 'cause your jaw's going to be hitting it a lot, and Taylor doesn't need lawsuits arising from thoracomandibular problems in stunned audiences. It's probably impossible to listen to the entire repertoire without having your head explode, so be careful, that's all I'm saying. And here's the O. Henry part: the guy's completely self-taught. Unfuckingreal!

Track List:

DISC ONEDISC TWO
  • Dueling Guitars of Rio Terra
  • Steppers 1
  • Passionate
  • Melvin Meets Beethoven's Fifth
  • Steppers 2
  • Strollin'
  • Next Phase
  • The Hook Up
  • Early Riser
  • Rock In Blues
  • The Mann
  • Feelin' Good
  • Focused On You
  • Movin' On
  • Escape
  • Talking To Anna Mae
  • Tribute To Wes
  • Groovin' In Paris
  • Look Out
  • Sweet Blues
  • Just Like That
  • Pure Attraction
  • In The Night
  • Straight Up
All songs written by Melvin Taylor except,
of course, the section from Beethoven's 5th Symphony, which was written by
some guy named Ludwig von Beethoven. I think he played with Jimi Hendrix, but don't quote me on that.

Edited by: David N. Pyles
(dnpyles@acousticmusic.com)

Copyright 2012, Peterborough Folk Music Society.
This review may be reprinted with prior permission and attribution.
 
Fame LogoReturn to FAME Reviews

a line

Return to acousticmusic.com Home Page

a line

Website design by David N. Pyles
DNPyles@acousticmusic.com
acousticmusic.com